PHOTOS OF A LOST COMMUNITY

Evocative photographs show the vibrant life in Newcastle’s famous Byker neighbourhood through the Seventies before it was razed to the ground and rebuilt

Finnish-born photographer Sirkka-Liisa Konttinen captured those living in the industrial town between 1969 and 1981

AN evocative photo series, currently on show at Tate Modern, has given a candid insight into Newcastle’s famous Byker neighbourhood during the Seventies.

Finnish-born photographer Sirkka-Liisa Konttinen came to the North East as a member of the Amber Collective and captured those living in the industrial town between 1969 and 1981.

Advertisement
‘Dogs’ hairdressing, Shields Road, 1981′. A woman, dressed in a tabard, is seen pouring hot water into a bucket. Next to her, standing in a puddle of soap suds, is a wet, washed, longhaired Afghan houndCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS

An evocative photo series gives an insight into Newcastle's famous Byker neighourhood during the Seventies.

Before Konttinen came to live there, the city council had decided to demolish the area to make way for what was to be the visionary Byker Wall Estate.

Her photographs celebrate what was lost through demolition - a vibrant community living in houses considerably more robust than their replacements.

‘Young couple in a backyard, 1975’. During a waterfight in a backyard a young woman gives a talking-to to her boyfriend. A child stands in the background with hood up to cover her hairCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS
‘Kendal Street, 1969’. A man walks down a street lined with terraced housing. Snow peppers the rooftops and the dozen motors that are parked on the curbCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS
‘Children with collected junk near Byker Bridge, 1971’. Nine kids are captured in a makeshift playground. One boy hugs a football, while two girls are seated in a pramCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS

The residents were told they would be rehoused together in the new estate, but the promise wasn't kept.

Advertisement

Konttinen lived in Byker until her own house was demolished in 1976.

She set up a studio in a disused hairdressing salon and offered residents free portraits.

‘Byker Park Dominoes Club, 1974’. A group of elderly men are pictured playing dominos in a wood-panelled hut. The gentlemen all face the camera and are smartly dressed in suits and tiesCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS
‘Ragman’s horse and cart by Union Road, 1970'. A horse with its cart attached grazes on a demolished streetCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS
Advertisement
‘Mrs Potter in Mason Street, 1975'. An elderly lady stands at the corner of a street wearing a floral apron, buttoned-up cardigan and a hairnetCredit: SIRKKA-LIISA KONTTINEN, COURTESY AMBER / L PARKER STEPHENSON PHOTOGRAPHS

Her rapport with the local community helped win their trust, and she went on to capture the resilience of youngsters on the streets, elderly people in their homes, working men playing dominoes and much more.

She said of her time there, 'Being a foreigner gave me one advantage. I could be nosey, and be forgiven.

'Many doors were opened for me that would have remained closed to another photographer, and invitations extended to the kind of hospitality and intimacy that would normally be reserved for family only.

Advertisement

In one photograph, a woman, dressed in a tabard, is seen with a bucket, washing an Afghan hound that is standing in a puddle of soap suds.

Related Stories

DISGRANTLED
Photographs of nude Victorian women banished from village art exhibition after grannies take offence
REWIND TIME
Some of the earliest black and white images give a fascinating insight into life in Victorian Britain
A LABOUR OF LOVE
Stunning photographs capture the beauty, grit and sheer agony of childbirth
NATURE AT ITS FINEST
From adorable polar bear cubs to diving kingfishers, here are the stunning images that made the Wildlife Photographer of the Year final
 in London, at Level 4 – Switch House in the ‘Living Cities’ section.

They have been curated by Ann Coxon and Shoair Mavlian.

More of Konttinen's Byker photographs can be found on the Amber .

 

Advertisement
Topics
Advertisement
machibet777.com