Imperial War Museums acquires war photographer Tim Hetherington’s entire archive of work from Libya and Afghanistan and plans exhibition
Tim Hetherington’s archive of work from Libya and Liberia to Afghanistan will be presented for the public to mark the seventh anniversary of his death

INCREDIBLE pictures taken by a British war photographer who died during the Arab Spring in Libya will go on show at the Imperial War Museum.
Tim Hetherington’s archive of work from Libya and Liberia to Afghanistan will be curated and displayed to the public to mark the seventh anniversary of his death.
The award-winning journalist died aged just 31 from injuries sustained while covering conflict in the Middle East in April 2011.
The Imperial War Museum’s exhibition is said to reflect “his work as an intrepid conflict journalist but also as a humanitarian and an innovator".
It will include handwritten journals and correspondence, cameras used throughout his career, awards, tear sheets, and publications featuring his photography.
Highlights of the collection include an image of a U.S soldier, exhausted following an enemy contact, at the "Restrepo" outpost in Afghanistan, which won the World Press Photo of the Year award in 2008.
There is also a photography installation called ‘Sleeping Soldiers’ taken at Restrepo, which capture the soldiers at their most vulnerable and an acclaimed series of photographs from the ‘Healing Sport’ project which documents the nature of sport in war torn countries such as Angola and Liberia.
As well as photography, Tim was a celebrated filmmaker and was nominated for an Academy Award for his feature-length documentary Restrepo in 2010.
Greg Brockett, IWM Curator, Contemporary Conflict, said: “Tim Hetherington was always striving to have as much freedom from editorial influence as possible, which enabled him to reveal the many complex layers of conflict in his work.
“He covered themes which are often overlooked in the mainstream media, such as humanity and masculinity.
“With the acquisition of this fascinating archive, IWM will be taking a fresh look at how images are used to inform and influence our collective understanding of conflict, from Tim’s visionary and distinctly self-aware perspective.”
Judith Hetherington, Tim’s mother and a Trustee of the Tim Hetherington Trust, said she was thrilled that her son’s work would be available for the public to appreciate.
"It’s profoundly gratifying that with IWM’s commitment to the principles that Tim held so dear, his contribution will reach far into the future when the fight for truth will face as-yet unknown challenges.
“We could not have hoped for a better partner to carry Tim’s legacy forward; the museum’s expertise across so many areas of Tim’s practice and the sensitivity to his concerns is backed up by their commitment in making his process available for public study.”
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